Although her work feels much more fine art, and I would rather use colour in my work, there is something that draws me to this style of image. She likes to subtly hint to themes or something being off in her work.
If I was to take anything from looking through her works it would to be that although my illustration is to be literal, it doesn't have to just be a straight up illustration of the baddie say. It can still be more thought provoking, like you have to actually look to find why the drawing so so creepy. |
I fell on this idea in the end. The moment right before Paxton is killed by the demon. I made sure to keep the horizon on the diagonal and tried to fill the page up nicely keeping all the things I had learnt so far in mind composition wise.
I decided to draw this up bigger as a proposal for my group tutorial at the start of week 2. I mocked some of the colours and textures up with oil pastels also. unfortunately this idea was shot down as I was taking away the sense of danger and mystery by drawing what I thought the demon would look like, rookie mistake. To fix this problem I decided to flip the perspective over so that you could see over the two men running down the beach's shoulder rather than the demon. Leaving the threat as a large looming shadow proved to me what my tutor said, it was definitely much more threatening and effective alongside a written story. I have noted for future, its much better to leave these things to the imagination of the reader. |